Day 2 – Genoa

Despite the comfort and facilities of the hotel, not only does other people’s plumbing echo in my bathroom when they run the shower but I am next to the lift! Always travel with earplugs should be my motto.

Today was a long art history day.

The building in the distance is the Town Hall.

Both Rubens and Van Dyck worked in Genoa and the aristocratic families during the 16, 17 and 18Cs were rich enough to build enormous palazzi and fill them with art. Of course, some of it got sold off, some passed on to other members of the family and there was quite a lot of damage done by (whisper it) allied bombardment during the 2nd World War, but enough remains to make an impressive collection of museums. My feet are feeling the effects.

Firstly, to the Gesu, the Jesuit church. Luca, the art historian, told us a wonderful story about how, when the Jesuits were thrown out of Spain in the 18C, they were put on boats and sent to Rome. The Pope refused to admit them and turned the guns on them before they could disembark. He says there’s a novel in there somewhere. I think he’s right.

The church is very much of the ‘if it moves, gild it’, school of baroquerie. They have two Rubens’.

The outside.
View up to the altar.
Window with statuary
Domes everywhere.

The centre of town is full of palazzi, with or without civic functions. This one, the former home of the Doge, is now used for exhibitions.

The sun shone a bit!
Denunciations of your neighbours and business associates can be put in here.
View of the city – 16 miles long and only 2 wide because of the mountains. The thing on the left is the art deco lift we went up there on.

Then to the Strada Nuova (as it was called when built in the 16C) or the Strada Garibaldi (as it is today). Lined with palaces, one or two still privately owned. The others are banks, offices or museums

At the end of the 19C, one woman, the Duchess of Galliera, gave two of these palaces to the state of Genoa. She also left the Hotel Matignon in Paris to be the Prussian Embassy. After the First World War it was taken as reparations and became the official residence of the French Prime Minister.

The Palazzo Rosso was badly damaged in the Second World War (oops) and was done up as an art gallery in modernist style in the 1950s.

St Jerome by Durer
A bit of the surviving 18C decoration. This was a bedroom
I seem to have taken a lot of pictures of chandeliers.
Baroque ceiling.

The Palazzo Bianco, so called not because it is white (although it is) but because it is not red, is over the road from the Palazzo Rosso.

Apothecary jars
Beautiful (and covetable) Iznik plate
One of two violins left to the museum by Paganini.
Music by Paganini
Jars. Not sure what for

Then to the Palazzo Spinola, home of the Town Council – and a museum.

Palazzo Spinola
This picture is to demonstrate the frame, not the portrait. Although the woman in the portrait is the one for whom the famous shell bed in Rome was made.
St George and the dragon. Ancient symbol of Genoa.
19C kitchen. An interesting and unusual survival.
Another Rubens.

And finally to the Oratory of St Pancras. No resemblance to any stations intended.

Has belonged to the Knights of St John since the 17C.
Saints, from the left: Peter, Pancras, John and Paul.

Evening – dinner. The weather is now coldish and raining (in case we missed home). By taxi to Eataly. Terrible name for a chain of rather nice shops / restaurants/ cooking schools. There is one in London but I can’t find its address anywhere on its website.

My handbag got its own little wine box to sit on.
Fish and greens on an enormous plate.
Pudding in the colours of Italy on an even more enormous plate.

The dinner was very good – very tasty. Nice young man kept the wine glasses topped up. Only issue for old people like me is that if dinner starts at 8 you are wide awake at 11………. Good night all x

4 thoughts on “Day 2 – Genoa

  1. I feel for your feet, those pavements look hard. The chandeliers are very beautiful, were they buying in glass from somewhere like Venice, or making them locally? I think that amount of gilding and mirrors might make sleep difficult, although that might not have been the intention…and was the lady with the shell bed a ‘grande horizontale’? Many thanks for the virtual trip…

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    1. I have asked and the glass in the chandeliers would have originally come from Venice. Later on, they started making it themselves, here. The lady in the picture was an aristocrat.

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